Saturday, December 11, 2010
Greet The Sauerkids
We are thrilled to welcome on board this month the humourous and colourful Sauerkids.As you journey through their engaging portfolio prepare to be delighted by their quirky illustrations. Based in Holland, Marc and Taco are graphic designers and illustrators whose character based illustrations have been shown in several international art exhibitions, illustration projects, magazines & books. Sauerkids are not only known for their witty illustrations and fine art, but they also feel equally comfortable with designing vinyl toys, visual brands, clothing, sculptures and typefaces.
Labels:
architecture,
conceptual,
fantasy,
Sauerkids
Elephant Parade
If there’s an elephant in your room then I hope it’s Rosie Sanders beautifully decorated example. Rosie hand painted exquisite orchids on the elephant which is one of two hundred 4ft high elephants placed around London as part of the Elephant Parade London 2010. It is a project which aims to raise funds to protect the Asian elephant. Rosie’s elephant is currently at Swallow Street near Piccadilly, where it will stay until it is auctioned off at Sothebys later this year. To see more of Rosie’s stunning work she has an exhibition coming up, it opens on the 8th June at Park Walk Gallery in Chelsea.
Labels:
Animals and Nature,
children's book,
conceptual,
Rosie Sanders
Friday, December 10, 2010
Hello Alexis
Dazzling us this month with her delicate, vintage collaged illustrations is Alexis MacKenzie.She joins us with a fresh style which beautifully combines imagery from the past, natural and organic themes with drawings and textures. Alexis's collages are all composed by hand from a wide variety of sources, they have already attracted much attention, including a recent solo show in L.A which was reviewed by the L.A Times. She has a selection of beautiful prints which can be purchased here.
Shailesh Khandeparkar - D&AD Judge
We are very proud to learn Shailesh Khandeparkar will be joining D&AD as a judge in the Illustration category. A little about Shailesh and his acheivements: "...Shailesh Khandeparkar, a Graduate from ‘The Goa School of Art’ is a renowned Freelance Illustrator and Designer, based in Mumbai. He prefers to work on styles that fall in Indian-Urban genre, which means a mix of classical Indian styles and modern techniques. He likes the unique starkness of black & white. Shailesh’s work for WWF was selected as In-book at D & AD for 3 years in a row. He won a Gold Pencil in One Show Design, Bronze at the Clio Awards, and several nominations in Cannes, London International and other major international awards. Shailesh’s work was selected in the 200 Best Illustrations by the Luerzer’s Archive magazine. Shailesh’s work is regularly featured in reviews on illustration and design. His work was published in The Work Book, WPP Cream Book, idn, Communication Art, Computer Art and Indexbook...."
Labels:
competition,
conceptual,
D and AD,
design,
drawing,
environment,
line,
Shailesh Khandeparkar
Thursday, December 9, 2010
Miminne and Pink Tank
Miminne was all over Pink Tank's shop window, a pop-up shop in Barcelona for the month of October. She says: "... This project was put together by a Fashion PR agency called Clarity based in Barcelona. The store housed garments from London based designers like Vivienne Westwood, Sophia Kokosalaki, Felder Felder and more. My task was to design something exciting to represent the buzz of London city..."
Wednesday, December 8, 2010
Liz Pepperell's Scrapbook
Liz Pepperell shares how living in the beautiful, rural countryside of Devon inspires her artwork.
Liz Pepperell's Scrapbook
Labels:
botanical,
England,
flowers,
gardens,
Liz Pepperell,
nature,
realistic,
rural,
scrapbook,
watercolour
Monday, December 6, 2010
FRAME X FRAME OhLaLa
Just what we need this time of year, Daria Jabenko has made an enticing animation for her portfolio pulling us away from the cold dark Winter! WATCH IT NOW
Labels:
animation,
animation art,
beach life,
characters,
Daria Jabenko,
drawing,
travel
Thursday, December 2, 2010
Just Released, our latest Scrapbook is now available to view
Our second Scrapbook is now just out. We continue our collection of some of the best illustrations, interviews and articles from our weekly Scrapbook emails that feature our artists, their work, their studios and influences etc.
The online version is FREE to view here.

Also, we have about 100 of the printed versions that are available for £16 inc p&p (circa $25). The 180+ page notebook (with 82 pages of top notch imagery and views) are the 'much admired' moleskin-esque essential for all creatives...
The online version is FREE to view here.
Also, we have about 100 of the printed versions that are available for £16 inc p&p (circa $25). The 180+ page notebook (with 82 pages of top notch imagery and views) are the 'much admired' moleskin-esque essential for all creatives...
Labels:
illustrationweb.com,
illustrators,
scraperboard
FRAME X FRAME Pepsi Refresh
This "Pepsi Refresh your World" entry from Nick Murray Willis was shortlisted as one of the finalists in the worldwide short film competition. WATCH IT NOW.
Labels:
animation,
animation art,
competition,
drawing,
humour,
line,
music,
naive,
Nick Murray Willis
Having to Cancel the Xmas party tonight
Sadly we have cancelled the Artist's party tonight...defeated by the elements.
Thankfully Alan Baker has layed on some alternative entertainment...thank you Alan
Thankfully Alan Baker has layed on some alternative entertainment...thank you Alan
Wednesday, December 1, 2010
Claire Rollet's Inkcities
Claire Rollet will be selling her architectural "Inkcities" prints at Spitalfields Arts Market from 2nd-19th December 2010, Thursdays to Sundays 10am - 5pm. Claire says "...London's Spitalfields market is the largest creative market in the world. It's a fantastic day out, idiosyncratic to London's edgy, bustling creative energy. A must!..." Claire's prints are also available from the Inkcities website where she specialises in architectural drawings of cities like London, New York, and Tokyo.
How to find Claire at Spitalfields:
Labels:
architecture,
cities,
Claire Rollet,
exhibition,
line,
new london office,
prints,
travel
BoomArtwork's Scrapbook
Netherlands based illustrator Eric Van Den Boom, aka BoomArtwork, tells how his ideas often start by doodling & sketching. BoomArtwork's Scrapbook.
Monday, November 29, 2010
Baetulona Exhibition

Eric Van Den Boom is currently participating in the Baetulona Exhibition and travelled over to Barcalona/Badalona to be at the opening. The project depicts the 100 most important moments in the history of the Spanish city of Badalona with images from 100 designers/studios from all over the world who have each produced a 1m x 1.5m image. The result is a stunning 100-metre-long timeline on canvas. Eric's piece is about actors Margarita Xirgú and Enric Borrás. More info: www.baetulona.cat or blog.baetulona.cat
Labels:
BoomArtwork,
culture,
drawing,
Eric Van Den Boom,
exhibition,
people,
portraits,
Spain
FRAME X FRAME Skoda Lovely or Mean
Cube have created interactive animations for Skoda's website, launched to link with Skoda's new VRS TV ad. See whether you're 'lovely' or 'mean' here.
The Wonder Fairy Dolls
Bee Willey has recently enjoyed the most playful of commissions. Working internationally through our New York office Bee was selected by toy manufacturing giant ‘ Mattel’.
e, Kindlee and Lenara are the Wonder Fairy Dolls.Back in the Enchanted meadow, a festive party is beginning. The fairies, sprites and pixies danceunder a bright full moon."Art director: Jill Ruby and Sue Davis, for Mattel. Artist: Bee Willey.
Friday, November 26, 2010
The Pact Between Men
Make a pact with yourself to view Jonathan Allardyce's intoxicating illustrations for Johnnie Walker's latest campaign. The images form part of "The Pact Between Men", an inspirational story aimed at the Chinese market. The Pact which follows the story of four friends walking the path of greatness together is set to attract over 7 million visitors to Johnnie Walker's Asia Pacific site, to see Jonathan's illustrations in context click here.
Thursday, November 25, 2010
Gray Jolliffe's Article on "Chloe & Co"
Wonderful Gray Jolliffe, creator of Wicked Willie, has recently won the Cartoon Art Trust Award for comic strip of the year for his long standing cartoon strip in the Daily Mail "Chloe & Co". Here he has written an article on the origins of this amusing character:
MY FRIEND CHLOE - the girl inside the cartoon strip.
Chloe Nicholson was the last thing I was expecting when she shimmied into my office one sunny morning in 1984. Photographer's agents were not supposed to be sexy blondes with lissome figures, wearing bright orange mini suits - with acid green stilettoes. But who's complaining I thought. She is an agent, she's lovely, and she's here. She'd made an appointment to show us her folio of some of London's hottest photographers. At the ad agency where I worked as creative director, the art buyer had assembled the usual suspects - mostly surly, cynical, impatient, mean, critical art directors and copywriters. They'd seen it all. Madmen, only twenty years on. Chloe certainly made an impressive entrance. A moment after she came through the door she managed to trip, probably over one of our tongues that were hanging out. The bulging folio she was carrying flew from her grasp and dozens of large laminated photos cascaded onto the polished floor, which made them skitter all over the place. We shouldn't really have collapsed with uncontrollable giggles - it was her expression of anguish mixed with disbelief that did it. As we bent to help her pick everything up, she said, "What a nightmare!" In a posh accent that was sort of a squeaky Leslie Phillips with breathless Lumleyesque overtones. A fine wine of a voice. "Well," she continued, "Now you've seen all the photos, will you be giving me any work?" Well it would have seemed churlish not to. Silly accidents like that tend to bond people. Times were good in those days and bank managers were kindly old codgers who only wanted a good lunch. So there was plenty of work around and a lot was pushed in Chloe's direction. She organised great photo shoots and her boys produced some excellent pics. Chloe was bright. She was fluent in French and Spanish. She had a cute nose, blue eyes and a dazzling smile. And she was fun. And funny. She couldn't open her mouth without saying something wacky. The kind of thing even a professional comic wouldn't think of. It came from her eccentricity and her innocence, borne out by the fact that she had no idea why you'd be laughing. Chloe soon became a good friend and often came over to the house with one or other of her train of admirers. She was stunningly attractive, but thin, and because I only like curvy girls I didn't fancy her - and I'm pretty sure it was mutual. My family liked her too so that was cool.
One day after work, propping up the The Zanzibar in Covent Garden she told me she was off to spend the weekend in the country with her new boyfriend, Serge. " He has a tennis court," she said. So I asked her if she played tennis. " No, I've never had to", she said.
Chloe's flat in Fulham was chaos. She had wonderful taste, wore wonderful clothes ranging from business smart to hippie chic, but her flat contained too much of everything. The polar opposite of minimal. Once she called in a panic to tell me that she thought her sofa had been stolen. A couple of hours later she phoned back to say that she'd found it under 'some other stuff', so I could stop worrying.
In the seventies when she was a fashion model, Chloe spent most of her time in France and Spain. Her father was a high ranking army officer who was stationed in Europe so her parents sent her off to a toffs boarding school in England. Not Roedean but something like that. That's how she got her accent, because aside from school she never really lived in England till the eighties. She lived in Ibiza for a while and once shared a house with Kate Hudson's famously kooky mother, Goldie Hawn. They were really close friends and were so similar in the way they looked and acted that people couldn't tell them apart. As one of Chloe's other Ibiza friends, Patsy, put it, "They were always trying to out-ditz each other".
Soon after the 1986 Chenobyl nuclear disaster Chloe informed a crowd of us at lunch that her mother had got the 'flu'. " It's the Russians you know - my mother never gets flu, and it would be too much of a coincidence". We said the cloud never reached western Europe and anyway, radiation doesn't cause flu. But she wouldn't have it. So then someone started on about radiation sickness when they dropped the bombs on Japan in 1945 killing hundreds of thousands. Chloe was wide eyed with horror. "What a nightmare," she said. " Haven't you ever heard of Hiroshima?" We asked. "No", she said - then added, "But you see, I've lived abroad most of my life".
Soho was Chloe's kind of manor. It was very different in those days and she wanted to live there because of the dangerous sleazy aura that only sexy Soho could provide. She loved the existentialism of the Colony club and the raffish scruffiness of the French house, although they were seriously at odds with her stiletto - chic outfits. One day she told me how she'd been to see a flat to rent in Romilly street. 'It was disgusting' she said. "The kitchen was was full of those awful MI5 units". "Was there a spy in every cupboard"? I asked. " No, silly, they were all empty", she said, " But there was a horrid dead mouse in the bedroom. If I was prime minister I'd round up all the mice and send them to the coalmines". "Why? What coalmines?" I said. " Oh, didn't you know", said Chloe, " In the mines they use mice as human guinea pigs". Later that week she admitted she'd got it wrong. She said, "I think it must have been something I heard at school about canaries."
So I started to collect Chloe-isms knowing for sure I'd find a good use for them one day. Whenever we met or talked on the phone I was waiting for her to say something utterly daft. She never disappointed. And it wasn't only me she tickled. One evening I strolled past a restaurant , looked through the window, and could see people jack-knifing around, knocking over tables and rolling on the floor, and I knew Chloe was in there. Once, at Kettner's, she came out with something so absurd that we had to rush outside and hang on to parked cars, tears streaming, gasping for breath, in physical pain. And what was even funnier was the way she'd crack up too, without really knowing why.
There was a short period when she flirted with Buddhism. "Its such a nightmare! I didn't get a wink of sleep cos I was up all night chanting". "Chanting?" " I'm a Buddhist you know, and you can get anything you want if you chant for it. And I want a yellow Volkswagwagen like the one I used to have in Ibiza". "I had no idea.....how long have you been a Buddhist?" "Since Thursday", she said. "I went to this meeting". I said I doubted you could get your heart's desire simply by chanting for it. "Well, that's what it it says in the BROCHURE," she insisted. When after a week the yellow Volkswagen didn't show up, poor Buddha got dumped. She could be fickle. But she loved to dabble in alternative stuff. When my buddy Al Cluer broke his finger she promised the only cure was acupuncture. "It's the world's oldest form of medicine", she said. "It goes back to the beginning of time. Maybe even before that. They're not sure".
So when my friend Shack suggested a cartoon strip about a couple of girls sharing a flat, there was my lovely Chloe waiting to be picked off the tree.
That was fifteen years ago, which is how long she's been living in the Daily Mail, being daft on a daily basis. And as I write this, blow me if she hasn't gone and won us the Cartoon Art Trust Award for comic strip of the year! The real Chloe is now living in Thailand, chirpy as ever and married to big John, a kind of dangerous looking American, but actually a very nice guy. We've always stayed in touch because I need the gags for one thing. Chloe admits she's no spring chicken now. "But thirty is the new sixty," she says. "Or is it the other way round?" The last Skype conversation I had with her a week ago she complained that her eye was hurting because of a cup of coffee she'd just had. " Coffee doesn't give you eye trouble", I said. " No, I forgot to take the spoon out", she said.
Gray's book Chloe and Co is out now.
MY FRIEND CHLOE - the girl inside the cartoon strip.
Chloe Nicholson was the last thing I was expecting when she shimmied into my office one sunny morning in 1984. Photographer's agents were not supposed to be sexy blondes with lissome figures, wearing bright orange mini suits - with acid green stilettoes. But who's complaining I thought. She is an agent, she's lovely, and she's here. She'd made an appointment to show us her folio of some of London's hottest photographers. At the ad agency where I worked as creative director, the art buyer had assembled the usual suspects - mostly surly, cynical, impatient, mean, critical art directors and copywriters. They'd seen it all. Madmen, only twenty years on. Chloe certainly made an impressive entrance. A moment after she came through the door she managed to trip, probably over one of our tongues that were hanging out. The bulging folio she was carrying flew from her grasp and dozens of large laminated photos cascaded onto the polished floor, which made them skitter all over the place. We shouldn't really have collapsed with uncontrollable giggles - it was her expression of anguish mixed with disbelief that did it. As we bent to help her pick everything up, she said, "What a nightmare!" In a posh accent that was sort of a squeaky Leslie Phillips with breathless Lumleyesque overtones. A fine wine of a voice. "Well," she continued, "Now you've seen all the photos, will you be giving me any work?" Well it would have seemed churlish not to. Silly accidents like that tend to bond people. Times were good in those days and bank managers were kindly old codgers who only wanted a good lunch. So there was plenty of work around and a lot was pushed in Chloe's direction. She organised great photo shoots and her boys produced some excellent pics. Chloe was bright. She was fluent in French and Spanish. She had a cute nose, blue eyes and a dazzling smile. And she was fun. And funny. She couldn't open her mouth without saying something wacky. The kind of thing even a professional comic wouldn't think of. It came from her eccentricity and her innocence, borne out by the fact that she had no idea why you'd be laughing. Chloe soon became a good friend and often came over to the house with one or other of her train of admirers. She was stunningly attractive, but thin, and because I only like curvy girls I didn't fancy her - and I'm pretty sure it was mutual. My family liked her too so that was cool.
One day after work, propping up the The Zanzibar in Covent Garden she told me she was off to spend the weekend in the country with her new boyfriend, Serge. " He has a tennis court," she said. So I asked her if she played tennis. " No, I've never had to", she said.
Chloe's flat in Fulham was chaos. She had wonderful taste, wore wonderful clothes ranging from business smart to hippie chic, but her flat contained too much of everything. The polar opposite of minimal. Once she called in a panic to tell me that she thought her sofa had been stolen. A couple of hours later she phoned back to say that she'd found it under 'some other stuff', so I could stop worrying.
In the seventies when she was a fashion model, Chloe spent most of her time in France and Spain. Her father was a high ranking army officer who was stationed in Europe so her parents sent her off to a toffs boarding school in England. Not Roedean but something like that. That's how she got her accent, because aside from school she never really lived in England till the eighties. She lived in Ibiza for a while and once shared a house with Kate Hudson's famously kooky mother, Goldie Hawn. They were really close friends and were so similar in the way they looked and acted that people couldn't tell them apart. As one of Chloe's other Ibiza friends, Patsy, put it, "They were always trying to out-ditz each other".
Soon after the 1986 Chenobyl nuclear disaster Chloe informed a crowd of us at lunch that her mother had got the 'flu'. " It's the Russians you know - my mother never gets flu, and it would be too much of a coincidence". We said the cloud never reached western Europe and anyway, radiation doesn't cause flu. But she wouldn't have it. So then someone started on about radiation sickness when they dropped the bombs on Japan in 1945 killing hundreds of thousands. Chloe was wide eyed with horror. "What a nightmare," she said. " Haven't you ever heard of Hiroshima?" We asked. "No", she said - then added, "But you see, I've lived abroad most of my life".
Soho was Chloe's kind of manor. It was very different in those days and she wanted to live there because of the dangerous sleazy aura that only sexy Soho could provide. She loved the existentialism of the Colony club and the raffish scruffiness of the French house, although they were seriously at odds with her stiletto - chic outfits. One day she told me how she'd been to see a flat to rent in Romilly street. 'It was disgusting' she said. "The kitchen was was full of those awful MI5 units". "Was there a spy in every cupboard"? I asked. " No, silly, they were all empty", she said, " But there was a horrid dead mouse in the bedroom. If I was prime minister I'd round up all the mice and send them to the coalmines". "Why? What coalmines?" I said. " Oh, didn't you know", said Chloe, " In the mines they use mice as human guinea pigs". Later that week she admitted she'd got it wrong. She said, "I think it must have been something I heard at school about canaries."
So I started to collect Chloe-isms knowing for sure I'd find a good use for them one day. Whenever we met or talked on the phone I was waiting for her to say something utterly daft. She never disappointed. And it wasn't only me she tickled. One evening I strolled past a restaurant , looked through the window, and could see people jack-knifing around, knocking over tables and rolling on the floor, and I knew Chloe was in there. Once, at Kettner's, she came out with something so absurd that we had to rush outside and hang on to parked cars, tears streaming, gasping for breath, in physical pain. And what was even funnier was the way she'd crack up too, without really knowing why.
There was a short period when she flirted with Buddhism. "Its such a nightmare! I didn't get a wink of sleep cos I was up all night chanting". "Chanting?" " I'm a Buddhist you know, and you can get anything you want if you chant for it. And I want a yellow Volkswagwagen like the one I used to have in Ibiza". "I had no idea.....how long have you been a Buddhist?" "Since Thursday", she said. "I went to this meeting". I said I doubted you could get your heart's desire simply by chanting for it. "Well, that's what it it says in the BROCHURE," she insisted. When after a week the yellow Volkswagen didn't show up, poor Buddha got dumped. She could be fickle. But she loved to dabble in alternative stuff. When my buddy Al Cluer broke his finger she promised the only cure was acupuncture. "It's the world's oldest form of medicine", she said. "It goes back to the beginning of time. Maybe even before that. They're not sure".
So when my friend Shack suggested a cartoon strip about a couple of girls sharing a flat, there was my lovely Chloe waiting to be picked off the tree.
That was fifteen years ago, which is how long she's been living in the Daily Mail, being daft on a daily basis. And as I write this, blow me if she hasn't gone and won us the Cartoon Art Trust Award for comic strip of the year! The real Chloe is now living in Thailand, chirpy as ever and married to big John, a kind of dangerous looking American, but actually a very nice guy. We've always stayed in touch because I need the gags for one thing. Chloe admits she's no spring chicken now. "But thirty is the new sixty," she says. "Or is it the other way round?" The last Skype conversation I had with her a week ago she complained that her eye was hurting because of a cup of coffee she'd just had. " Coffee doesn't give you eye trouble", I said. " No, I forgot to take the spoon out", she said.
Gray's book Chloe and Co is out now.
Labels:
adult humour,
books,
cartoon,
Chloe and Co,
Gray Jolliffe,
humour,
newspaper,
people,
Wicked Willie,
women
Studio Visit with Sarah Beetson
Our very own Sarah Beetson is featured on The Vine blog, where she is interviewed and her passion for her occupation revealed.
See Sarah Beetson's full portfolio here.
Sarah Beetson is an artist-slash-illustrator with a lot going on. She counts '60s American literature, John Waters, cult film, Japan, rock music, decaying urban typography, and Coney Island as her inspirations, and divides her time between a picturesque farm in Queensland and a Motor Torpedo boat on The Thames.
In the lead up to a long hot summer preparing for her forthcoming exhibition on the Goldcoast, Sarah took us on a studio tour of her working space.How would you describe your art practice?I live for it, 18 hours a day, 7 days a week. Where is your studio and how did you come to work there?My studio is in my house - a converted dairy shed on my boyfriend's family farm at the foot of Mt Tamborine, South East Queensland. It is idyllic, surrounded by rolling hills, creeks, rainforest, cows, chickens, wallabees, exotic birds and organic fruit - avocados, macadamias and custard apples are the main crops. I made the move up here from Melbourne last year and it has truly enabled me to immerse myself fully in my work without distraction. We are still close to Brisbane and The Gold Coast, plus I travel to Melbourne and Sydney every few months and I spend most Northern Hemisphere summers in London onboard a friend's Motor Torpedo boat on The Thames. I get my city fix when I need to but it seems I am a country girl at heart!
What happens in your studio from week to week besides art-making?I also work as a part-time artist's consultant for Illustration Ltd in London - I am very lucky to be able to do this from my home studio, as well working on illustration commissions and personal work for my own exhibitions.What is important when setting up a space like this?Good storage solutions, technology and internet, and space, space, space, and maximised usage of what you have. Then covering the walls with colour in the form of artwork, cutouts, inspiration material, etc. I like them to be literally dripping with colour.
Do you always carry a sketchbook?
No - I generally work at my studio, then gather my inspiration via other means whilst I am away from it. I very often work in a sketchbook though - it is the best way to see the progression and development within a series of works. Occasionally I will work in transit - for example, when I was working on my last exhibition I got stuck in snow drifted Norway waiting for a flight to Heathrow - and I ended up starting a series of aeroplane sick bags - drawing on them as I flew different airlines back to Australia. I also created two large canvas works on the boat in London, which was fun negotiating The Thames Tides and finding my sea legs!
What are these Pollies? How long have you had them?
They began life as a pair of pyjama cases which a family friend created for me when I was born. They were apparently pinned to the wall above my cot, but I pulled them down as soon as I could stand. They have endured numerous outfit changes and still bear the remnants of some appalling childhood sewing moments. One has a missing foot which I rediscovered a few years ago and reattached with a safety pin. I hadn't seen them in 10 years, but once rediscovered in a box in my parents garage - I wondered if they were the subconscious inspiration for the pink cheeks I often give the subjects in my paintings?
What's the mood of your mood wall? Did you take all these photos yourself?These particular photos are all my own and were all gathered on a 2008 US Road Trip. They mainly originate from signage in Santa Cruz, Coney Island and The Neon Boneyard in Las Vegas, as well as from the Pinball Hall of Fame. I originally put them up for font inspiration for my BMI Badges and Wordsearches in my last solo exhibition "YOU ARE NOT WHAT YOU EAT", but I left them up as I use so much typography within much of my work.
What are you listening to at the moment?
I am loving the "We Are Only Riders" Jeffrey Lee Pierce Sessions compilation record. Jeffrey Lee fronted 80s band The Gun Club, who were highly influential but not greatly commercially successful. Jeffrey Lee died in 1996, and a box of his unrecorded demos was later discovered, to be re-recorded in the format of this album by his contemporaries and bands he inspired including Nick Cave, Debbie Harry, Mark Lanegan, Lydia Lunch, Mick Harvey, 16 Horsepower and The Ravonettes. I just painted Jeffrey Lee's portrait as part of my Unsung Heroes series.
What fuels your day?
Coffee in the morning and a boiled egg courtesy of my hens. A glass of Lindauer Fraise can often help if I am working late into the night.
What is great about gouache? How much do you love it?
The best thing about Acryl gouache particularly is its permanence (as it is a mixture of gouache and acrylic), it's incredible quality, and the massive colour range available. I particularly love Japanese brand Turner Acryl Gouache and Holbein Acryla Gouache. Unfortunately I have to ship them in from The States and the UK as their are no stockists in Australia!
What do you think about laws that restrict the sale of spraypaints?I understand why there are restrictions. But I think school kids probably need access to spraypaints if they are interested in developing their art. I once bought a friend's kid a bunch of spraypaints for his 12th birthday, as he was really interested in making murals in his backyard and could not get hold of the paints. Plus - the basic brands can be a lot cheaper than many of the materials found in an art shop. In terms of graffiti laws - I always thought they were pretty appalling. In London there was an anti graffiti campaign that offered cash rewards to anyone tipping off police to graffiti artists' identity. I think any kind of public are should be encouraged and how hard would it really be to provide designated areas for these kids to have an outlet? But I guess the massive success of Banksy, Blek Le Rat and the Melbourne Street Artists has already changed the path of graffiti culture going forward.
How does an artwork evolve? Chance or planning?
I begin by conceiving an idea or a theme for a painting or series. I will then spend time researching that theme via books, internet, film, museums, etc, and further clarify the direction of the work. I will then source photographic reference, either by setting up my own small photoshoots or using found reference. I greatly admire those gifted with a photographic memory who are able to draw from the pictures in their mind – but that is not me. I like to surround myself with as much information as possible about the subjects before I begin. Then, halfway through the process, the painting begins. By this time I have planned out much of the composition and materials I will incorporate. But I never have a preconceived idea set in stone of how the piece will look when finished, and I always surprise myself with the outcome.
Does your desk feel like "home"?
It feels like a perfect combination of production and madness.
How do you balance creativity and chaos?
I don't - I just work through it! But time out with my hens, yoga and swimming often help.
You have chicken and cow friends to keep you company!
The cows don't have names as they often leave us for market - so I try not to get attached. Although there have been several generations of white-faced Santa Gertrudis calfs that have been named 'Baby White Face I, II, III' etc. Our last Bull, named Dave, made an appearance on a canvas bag I painted and embroidered with a Richard Brautigan poem for an LMFF show at The Australian Poetry Centre.
My chickens are adopted ex-battery hens and are named as follows: Lee Mellon, Sal Paradise, Angelina, Ignatius J.Reilly, Joanie, Sunny and Isabella Blow.
A Billy Idol quote that inspires you!
OK, I narrowed it down to three:
Russian roulette no fun / I don't need a gun / I just need someone
If I had the chance / I'd ask the world to dance / And not be dancing with myself
It's a nice day to start again / WOW! / There is nothing fair in this world / There is nothing safe in this world / And there's nothing sure in this world / And there's nothing pure in this world / Look for something left in this world / ohooooooooooooh / Start Again!
Sarah Beetson is represented by 19 Karen in Queensland. Look out for her solo exhibition there in 2011.
In the lead up to a long hot summer preparing for her forthcoming exhibition on the Goldcoast, Sarah took us on a studio tour of her working space.How would you describe your art practice?I live for it, 18 hours a day, 7 days a week. Where is your studio and how did you come to work there?My studio is in my house - a converted dairy shed on my boyfriend's family farm at the foot of Mt Tamborine, South East Queensland. It is idyllic, surrounded by rolling hills, creeks, rainforest, cows, chickens, wallabees, exotic birds and organic fruit - avocados, macadamias and custard apples are the main crops. I made the move up here from Melbourne last year and it has truly enabled me to immerse myself fully in my work without distraction. We are still close to Brisbane and The Gold Coast, plus I travel to Melbourne and Sydney every few months and I spend most Northern Hemisphere summers in London onboard a friend's Motor Torpedo boat on The Thames. I get my city fix when I need to but it seems I am a country girl at heart!
What happens in your studio from week to week besides art-making?I also work as a part-time artist's consultant for Illustration Ltd in London - I am very lucky to be able to do this from my home studio, as well working on illustration commissions and personal work for my own exhibitions.What is important when setting up a space like this?Good storage solutions, technology and internet, and space, space, space, and maximised usage of what you have. Then covering the walls with colour in the form of artwork, cutouts, inspiration material, etc. I like them to be literally dripping with colour.
Do you always carry a sketchbook?
No - I generally work at my studio, then gather my inspiration via other means whilst I am away from it. I very often work in a sketchbook though - it is the best way to see the progression and development within a series of works. Occasionally I will work in transit - for example, when I was working on my last exhibition I got stuck in snow drifted Norway waiting for a flight to Heathrow - and I ended up starting a series of aeroplane sick bags - drawing on them as I flew different airlines back to Australia. I also created two large canvas works on the boat in London, which was fun negotiating The Thames Tides and finding my sea legs!
What are these Pollies? How long have you had them?
They began life as a pair of pyjama cases which a family friend created for me when I was born. They were apparently pinned to the wall above my cot, but I pulled them down as soon as I could stand. They have endured numerous outfit changes and still bear the remnants of some appalling childhood sewing moments. One has a missing foot which I rediscovered a few years ago and reattached with a safety pin. I hadn't seen them in 10 years, but once rediscovered in a box in my parents garage - I wondered if they were the subconscious inspiration for the pink cheeks I often give the subjects in my paintings?
What's the mood of your mood wall? Did you take all these photos yourself?These particular photos are all my own and were all gathered on a 2008 US Road Trip. They mainly originate from signage in Santa Cruz, Coney Island and The Neon Boneyard in Las Vegas, as well as from the Pinball Hall of Fame. I originally put them up for font inspiration for my BMI Badges and Wordsearches in my last solo exhibition "YOU ARE NOT WHAT YOU EAT", but I left them up as I use so much typography within much of my work.
What are you listening to at the moment?
I am loving the "We Are Only Riders" Jeffrey Lee Pierce Sessions compilation record. Jeffrey Lee fronted 80s band The Gun Club, who were highly influential but not greatly commercially successful. Jeffrey Lee died in 1996, and a box of his unrecorded demos was later discovered, to be re-recorded in the format of this album by his contemporaries and bands he inspired including Nick Cave, Debbie Harry, Mark Lanegan, Lydia Lunch, Mick Harvey, 16 Horsepower and The Ravonettes. I just painted Jeffrey Lee's portrait as part of my Unsung Heroes series.
What fuels your day?
Coffee in the morning and a boiled egg courtesy of my hens. A glass of Lindauer Fraise can often help if I am working late into the night.
What is great about gouache? How much do you love it?
The best thing about Acryl gouache particularly is its permanence (as it is a mixture of gouache and acrylic), it's incredible quality, and the massive colour range available. I particularly love Japanese brand Turner Acryl Gouache and Holbein Acryla Gouache. Unfortunately I have to ship them in from The States and the UK as their are no stockists in Australia!
What do you think about laws that restrict the sale of spraypaints?I understand why there are restrictions. But I think school kids probably need access to spraypaints if they are interested in developing their art. I once bought a friend's kid a bunch of spraypaints for his 12th birthday, as he was really interested in making murals in his backyard and could not get hold of the paints. Plus - the basic brands can be a lot cheaper than many of the materials found in an art shop. In terms of graffiti laws - I always thought they were pretty appalling. In London there was an anti graffiti campaign that offered cash rewards to anyone tipping off police to graffiti artists' identity. I think any kind of public are should be encouraged and how hard would it really be to provide designated areas for these kids to have an outlet? But I guess the massive success of Banksy, Blek Le Rat and the Melbourne Street Artists has already changed the path of graffiti culture going forward.
How does an artwork evolve? Chance or planning?
I begin by conceiving an idea or a theme for a painting or series. I will then spend time researching that theme via books, internet, film, museums, etc, and further clarify the direction of the work. I will then source photographic reference, either by setting up my own small photoshoots or using found reference. I greatly admire those gifted with a photographic memory who are able to draw from the pictures in their mind – but that is not me. I like to surround myself with as much information as possible about the subjects before I begin. Then, halfway through the process, the painting begins. By this time I have planned out much of the composition and materials I will incorporate. But I never have a preconceived idea set in stone of how the piece will look when finished, and I always surprise myself with the outcome.
Does your desk feel like "home"?
It feels like a perfect combination of production and madness.
How do you balance creativity and chaos?
I don't - I just work through it! But time out with my hens, yoga and swimming often help.
You have chicken and cow friends to keep you company!
The cows don't have names as they often leave us for market - so I try not to get attached. Although there have been several generations of white-faced Santa Gertrudis calfs that have been named 'Baby White Face I, II, III' etc. Our last Bull, named Dave, made an appearance on a canvas bag I painted and embroidered with a Richard Brautigan poem for an LMFF show at The Australian Poetry Centre.
My chickens are adopted ex-battery hens and are named as follows: Lee Mellon, Sal Paradise, Angelina, Ignatius J.Reilly, Joanie, Sunny and Isabella Blow.
A Billy Idol quote that inspires you!
OK, I narrowed it down to three:
Russian roulette no fun / I don't need a gun / I just need someone
If I had the chance / I'd ask the world to dance / And not be dancing with myself
It's a nice day to start again / WOW! / There is nothing fair in this world / There is nothing safe in this world / And there's nothing sure in this world / And there's nothing pure in this world / Look for something left in this world / ohooooooooooooh / Start Again!
Sarah Beetson is represented by 19 Karen in Queensland. Look out for her solo exhibition there in 2011.
See Sarah Beetson's full portfolio here.
Bad Tuesdays
Things go from strength to strength for Chris King who has now completed his 4th cover for book series The Bad Tuesdays by Benjamin J Myers. he series is published by Orion Children's Books and designed by Art Director James Jones. Book 3 is out now, it's cover has also been featured in the latest edition of Sci-Fi Now magazine!
Labels:
black and white,
books,
Chris King,
comic,
drawing,
fantasy,
horror,
pen and ink,
people,
publishing,
sci-fi,
youth culture
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